Research Post Media Theory Cambridge Project

Research

I researched many different media theories that are commonly used in mystery and action films. After researching, I decided to integrate Roland Barthes' Narrative Codes theory, which is the use of signs that either move the plot and narrative forward or have another connotation behind it. 

There are five types of narrative codes in the Barthes' theory. The first is the Hermeneutic (Enigma) Code, which is when a narrative withholds information in order to develop the  mystery or leave the audience with unanswered questions. Films in the mystery genre commonly use this narrative code to engage with the audience and encourage them to continue watching the film in order to uncover the truth.

The second is the Proairetic (Action) Code which is when there are actions or events that suggest that further actions will follow. Films in the action genre typically use this code in situations like chases or conflicts to build up anticipation and move the plot forward.

Barthes also identifies that there are Semantic and Symbolic Codes. Semantic codes are signs within a production that carry connotative meanings beyond their literal use, while symbolic codes are signs or symbols that represent oppositions or contrasts, such as good versus evil. A good example of the use of a semantic code can be found in Alfred Hitcock's Psycho (1960), where Marion Crane tears up a paper and flushes it down the toilet which signifies the importance of the information and her need to hide it.

Finally, Cultural Codes which refer to concepts outside of the production, and include historical, social, literary, or even pop culture references. An example of this can be seen in Deadpool, where there are frequent uses of pop culture references and fourth wall breaks to speak to the audience directly. However, the effectiveness of the use of cultural codes depends on if the target audience recognizes and understands the references.

Integration

After choosing Barthes' Narrative Codes theory, I considered on how to integrate the codes into my film opening. I will integrate enigma codes by withholding information about the antagonist's identity, motivations, and what is their ultimate goal. 

I will incorporate semantic and symbolic codes by tying in a deeper meaning behind the necklace which will be more significant than just a stolen object. The design and importance of the necklace could suggest that it matters more than just an antiquity. I could also subtly include cultural codes by referencing other pieces of media through background details, such as book titles or visual references, to add on more meaning and reward the more attentive viewers.